DRM is designed to break campatibility
ZDNet's David Berlind wrote a lengthy article last week complaining that his $20,000 of audiophile equipment can't play the 99� songs he downloads because his system is undermined by Digital Rights Management (DRM) technology embedded in the audio formats.
The Electronic Frontier Foundation (EFF)'s John Gilmour promptly responded to point out that DRM is designed to break compatability. Gone are the days when you could pop a cassette into the stereo to record that cool new song off the radio, and pass it on to your friend the next day at school (okay, I'm showing my age here with this example, I know).
"It's really simple," wrote Gilmour. "DRM is *designed* to break compatibility. The whole point of DRM is *restrictions*. The point of all previous audio formats was compatability. CDs play on any CD player. Cassettes play or record on any cassette player. Neither one cares what you do with the audio that comes out. By contrast, DRM is designed to prevent the audio from coming out in any way that the oligopoly objects to..."
Ignore my somewhat dated example above and bear with me. DRM is a way to take back control from the consumer. A completely understandable objective from the corporations' standpoint. But if you're a consumer of music, video, books on CD, et al (and who isn't?), you are on the other side. Let me state it bluntly: It's us against Them�.
As Gilmour points out, it's up to consumers to revolt to turn back the tide. The EFF is a great place to start.
Filed under: activism, tech, media, music, movies
<< Home